Movie Review: In 'Good Luck, Have Fun, Don't Die,' a man from the future fights an AI apocalypse
- - Movie Review: In 'Good Luck, Have Fun, Don't Die,' a man from the future fights an AI apocalypse
JAKE COYLE February 10, 2026 at 11:33 PM
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1 / 4Film Review - Good Luck, Have Fun, Don't DieThis image released by Briarcliff Entertainment shows Sam Rockwell in a scene from "Good Luck, Have Fun, Don't Die." (Briarcliff Entertainment via AP)
In Gore Verbinskiās absurdist AI sci-fi satire āGood Luck, Have Fun, Donāt Die,ā a strange unnamed man (Sam Rockwell) steps into a Los Angeles diner and declares that heās from the future. āAll of this is going to go horribly wrong,ā he says.
Normās diner on La Cienega might not seem like the most likely battleground to decide the fate of the world, but thatās exactly what this fellow ā bearded, with a wreath of wires around his head and a bomb strapped under a translucent rain coat ā contends.
He is there, while customers sip coffee and bite into an omelet, to enlist recruits for the resistance. In the future, he says, people have entirely stopped participating in life. āIt all started with morning phone time,ā he says. In the enjoyably oddball, forebodingly bleak and ridiculously plausible āGood Luck, Have Fun, Donāt Die,ā a ragtag group fights a coming AI apocalypse across a handful of nondescript West Hollywood blocks.
Itās been argued that with the onset of AI, storytellers need to get weirder, more imaginative, more human. The Danielsā āEverything Everywhere All at Once,ā which likewise married cosmic and mundane, was animated partly in this spirit. āGood Luck, Have Fun, Donāt Die,ā scripted by Matthew Robinson, isnāt that creative, and it grows more wayward the deeper it goes into its too-lengthy runtime. But thereās a bonkers charm to how Verbinski tackles contemporary anxieties head on.
This is the first film in a decade from Verbinski, the director of āPirates of the Caribbean,ā āMouse Huntā and one of the better animated features of the century, āRango.ā But after a few flops (āThe Lone Ranger,ā āA Cure for Wellnessā ), Verbinski cobbled together a more modest budget for this independent production.
The lack of scale is noticeable in the climatic moments of āGood Luck,ā but Verbinskiās penchant for lush detail and movie-reference onslaught remains. Our central figure is a hobo prophet who looks straight out of Terry Gilliamās āThe Fisher King,ā only more tech-enabled. He has a countdown on his watch, and the imminent attack on the diner means time is extremely short.
Heās done this before, he says, 117 times, to be precise. His speech is well-rehearsed, but Rockwellās future man more resembles an actor whoās been doing the same play for too long. His āGroundhog Dayā-like time loop has drained him of optimism. Heās left to desperately and cavalierly keep trying various combinations of recruits in the hope they survive, escape and do something that will prevent the AI apocalypse. Itās a remarkably well-suited role for Rockwell, whose stumbling charm lifts āGood Luckā nearly as much as Johnny Depp did in āPirates of the Caribbean.ā
āGood Luckā never quite matches the electricity of its diner-scene opening, but as a group forms, the movie ropes in other characters whose backstories make for fablelike flashbacks. They play like mini āBlack Mirrorā episodes.
One volunteer, a single mom named Susan (Juno Temple), is still mourning the death of her son from a school shooting, which in this reality has grown into such a common occurrence that scientists have developed clones to replace deceased children. The clones arenāt quite right, though. They all say āThank you for your serviceā and the cheaper ones come with ads. (This is the movie's darkest and best joke.)
Ingrid (Haley Lu Richardson) is allergic to phones and Wi-Fi. Her story includes a boyfriend who matches her in a technology-free life until a virtual reality headset leads him to drop out of real life, entirely. Also in the mix are a pair of high school teachers (Michael PeƱa) and Janet (Zazie Beetz) whose students never look up from their phones.
As in most sci-fi movies, the set up of āGood Luck, Have Fun, Donāt Dieā is better than its follow through. But the movie has a kinetic kick, and you could argue that itās obsessed with the right things. We could use more movies similarly engaged. Even if not every part of this particular mission is a success, like the numbers game of Rockwell's protagonist, eventually one will get through.
āGood Luck Have Fun Don't Die,ā a Briarcliff Entertainment release, is in theaters Friday. It's rated R by the Motion Picture Association for pervasive language, violence, some grisly images and brief sexual content. Running time: 134 minutes. Two and a half stars out of four.
Source: āAOL Entertainmentā